Sunday, March 30, 2014

Think You Know my Avatar? Again????

The character seen the left is known as Charles Feng. He is from China, and in his late 30's. He is supposed to be an antagonistic character. Feng has a deep seated hatred from America. His father was a wealthy Chinese buisiness man, who gained his profits through some illegal money transaction fraud. The American Economy was one victim to his crimes, and the United States revealed his illegal actions to the Chinese government. He spent his life in jail and left Charles at a young age.
Feng spent his life working his life with one of his fathers ex buisness partners, who gave him a fairly wealthy life. As he grew older he used his wealth to become owner of an advanced robotics corporation. His company grew in size and so did his power and influence.  He gained powerful political connections and along with the robotics industry he owned, turned China's army into a formitable opponent. Feng then drives China to attack America.
This character is obviously the villian in a game, and he sets up the backstory for what could be a very interesting futurastic shooter. Imagine the deadly robot soldiers one could create, and the plot would circle around the US military fighting back the Chinese death machines to save America and the world. Feng would of course get destroyed in the end, but he is still a very crucial character to the game.

Think You Know my Avatar?


(The Voki website wouldn't let me publish this avatar without purchasing something, so I just took a screenshot!)

The character seen above is Jack Swanson. He is the member of some form of crime investigation agency. Jack is a cold-hearted and pragmatic man. He's not the easiest to get a long with, but his ruthless nature makes him an incredible crime-scene investigator. While to the other people in his unit believe him to be emotionless, he takes every case personally.
As his story develops in whatever game he could be placed in, we would find out why he does what he does. One night in Jack's freshman year of high school, he came home from a friends house only to discover both parents brutally murdered. The investigation that followed found the man responsible, however through some error in the justice system, he was let free. Using the money his parents left him, Jack entered crime scene investigating school and took a personal vendetta to never let this happen to anyone else. His past experiences combined with the rough nature of his job has hardened him over the years, but Jack still feels a deep emotional connection to solving the mysteries he is presented with.
Clearly this character belongs in a mature game. I picture him being effectively inserted into a game similar to Heavy Rain where the game isn't necessarily about shooting, but more about solving a mystery. His character has lots of room to develop and he has a past that can be brought up. These values make a story driven game ideal for Jack Swanson.


Thursday, March 20, 2014

This Movie Rocked: Psycho

Shamley Entertainment
Script Coverage

Title: Psycho
Setting: Heavily wooded Island in Pacific Northwest
Author: Joseph Stefano (SP) Robert Block (novel)
Period: Current at the time (1960)
Producer: Alfred Hitchcock
Elements Attatched
Submitted By: Zachary James
Submitted To: Zachary James
Read (watched) By: Zachary James
Genre: Horror, Suspense
Coverage Date: 3/13/14
Submission Date: 3/13/14


Excellent
Very Good
Good
So-So
Not Good
Plot
X




Characters
X




Dialogue
X




Structure

X



Commercial Appeal


X



Recommend: X
Consider:
Pass:

Log Line: A young woman on the run for a crime disappears after staying at the Bates Motel and her family starts an investigation to find her.
Summary: A young woman named Marion Crane in Phoenix, Arizona is on her lunch break from work. She’s talking with her boyfriend Sam about marriage and her inability to afford it. She returns to her job where a drunken client offers her boss 40,000 cash for a house. Marion is entrusted with taking it to the bank. She steals it instead and leaves town.
            On Marion’s drive she pulls over and falls asleep. A police officer awakens her the next morning and can sense something is wrong but lets her go. She switches out her car for another in a nearby town. That night as Crane drives a big storm rolls in and she is forced to pull into the Bates Motel. She meets the young but nervous Norman Bates, who explains the hotel doesn’t get much business anymore after the highway route was diverted. He gets her a room and invites her to dinner at the parlor. During the meal Norman explains that his mother who built the place is mentally-ill. Marion suggests she should be put in an institution of some kind and Norman dislikes this idea very much. After the talk, Marion decides she should return to Phoenix and make right what she’s done.
            After Marion and Norman separate, Marion goes to shower. Norman watches her through a peep-hole from the parlor, and then runs up to the house behind the motel. As Marion showers, a shadowy figure that has the look of a woman runs in and brutally stabs her to death. Moments later Norman enters and discovers her body. He wraps her in the shower curtain and dumps her car and the body in the swamps.
            Back in Phoenix, Marion’s sister Lila and her boyfriend Sam are worried about Marion’s recent disappearance. A detective named Arbogast informs them she has stolen 40,000 dollars from her boss and probably split town, but that he also intends to find her. He eventually finds the Bates Motel. Upon questioning Norman, he becomes suspicious of Norman’s extremely nervous behavior. Arbogast eventually gets him to admit he saw Marion. Amongst his stammers Norman says that Marion met his mother and when the detective asks to see her Norman becomes irate. He asks him to leave.
            Arbogast drives to a telephone to inform Sam and Lila that he has suspicions about the Bates Motel, but was unable to obtain all the evidence because he couldn’t talk to Norman’s mother. He tells the two he will be back soon. Arbogast returns to the motel and when he cannot find Norman he wanders up to the house. He enters and goes upstairs. When he reaches the top stair a woman runs out of a room and slashes his face. Arbogast falls dramatically down to the bottom, and then the woman stabs him to death.
            Lila and Sam become increasingly worried that Arbogast has not returned. They consult the local sheriff and tell him what Arbogast has told them. He is confused because Norman’s mother died years ago in a murder-suicide. We return to Norman who is heard of screen talking to his mother, telling her she needs to go to the basement to stay safe. He is seen carrying a woman down the stairs.
            After their consultation with the sheriff raises more questions, Lila and Sam go to the Bates Motel themselves. They rent a room and begin to investigate. Lila finds a scrap of paper in the toilet and deciphers 40,000 written on it. Sam also notices the lack of shower curtains. The two formulate a plan to have Sam distract Norman and for Lila to search the house. She can’t find Mrs. Bates, and Sam can only distract Norman for so long. He figures out what is going on and hits Sam, knocking him out. Lila sees Norman approaching and hides in the basement. She sees Mrs. Bates in a rocking chair, only to discover she is a decrepit dead body. Norman runs in with a large knife, dressed in a woman’s clothing. He almost kills Lila until Sam enters and saves her.
            Norman is arrested and back at the police station a psychiatrist interviews Norman. He explains that Norman’s childhood was ruled over by his mother, who had a very dominant personality. When she found love in another man, he lost it and killed them both but preserves his mother’s body. He developed a split personality thinking he was he mother some of the time and Norman for others, and sometimes he was both. After the events of the tonight, Norman has become locked into his mother’s personality forever. The camera goes to Norman, who hears his mother’s voice in his head explaining how she is innocent and he did all the crimes. As the credits roll, Marion’s car is recovered from the swamp.
Comments:
            By today’s standards, Psycho is a very unique movie. Its storyline follows several different characters and it’s almost as if there is no main character. Marion has lots of back story, but gets killed quickly. While the story revolves around finding Marion, other characters get the spotlight. Norman is obviously very important and bits of his story are revealed as the story goes, as one would expect. But then, just when the audience thinks Arbogast is the hero, he is also killed. It eventually falls on Sam, who we met very briefly in the beginning and Lila, someone who we know very little about. While this kind of lack of backstory might be criticized today, I think its genius. It keeps the audience guessing. This also distracts the viewer from guessing who the real murderer is.
            Other than its unique character entrance and use, the plot of Psycho is fantastic.  It moves very well to each new character and keeps you guessing right up until the very end. The way Mrs. Bates is shown, or not shown is very genius. The audience can hear her voice and see her once so it rules out the option she is actually dead. In today’s modern film industry the horror movie plot of someone having multiple personalities and not knowing they were a killer is a common tactic, but in 1960 that plot twist I’m sure it worked well. In the end I see why this movie has such an influence on modern horror.
            The overall acting was not the best I’ve seen, however for its time I would call it superb. Marion shows her conflicted feelings about stealing the money very well, through her often nervous behavior. Also, who could forget her classic scream when she is stabbed in the shower? Norman is perhaps my favorite of the actors. He is always nervous, but in the tense scene with Arbogast, one really has to appreciate the way he stumbles and stammers around. It’s a really accurate representation of what some people do when they are caught in a lie. Arbogast plays a good detective, kind of the stereotypical manly man but he fills the spot well. Sam and Lila both do a fine job, but nothing spectacular. This acting is also attributed to a well written script with realistic reactions and lines.
            My highly trained film eye did catch a few sloppy edits, however considering this movie is from 1960 and I’m sure Final Cut wasn’t accessible without computers.

            Even though this movie was made 24 years before I was born, I have a real appreciation for its impact and would recommend it to any fan of the horror genre, or even a fan of well written movies. If this were a script, I would recommend it be made into a movie immediately.

That's Not What I Heard! Scene from Pulp Fiction

https://www.youtube.com/watch?v=FPsbRXByG5g David Diller and I did this project together. We weren't really sure if we were supposed to change the lines of dialogue around or not, so we rewrote the scene with new lines. Its short, but the requirement was 10 seconds so I think it works well.